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ISO 100 would give you the optimal quality for this sensor, but for many other types of photography you’ll need a higher ISO in order to have a fast enough shutter speed and hence no movement in your images. Say for landscapes when using a tripod this is generally set to what is called base ISO 100. ISO speed: can either be set to Automatic or determine an appropriate value for yourself. These two functions can the be used in combination.

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Įxpo.comp./AEB: Exposure Compensation and Auto Exposure Bracketing.Įxposure compensation: If you believe that your camera is over- or underexposing your images, or you want to do this for creative reasons, you can change the level of exposure by a scale of plus or minus 3 EV.Īuto Exposure Bracketing.: Using the exposure compensation setting, you can capture images at different exposure levels, and then select the optimal image later with a +/- 5 EV scale. 4:3: native resolution of a micro-four-thirds camera.1.6x: this is wat is called crop mode, and is used when you use EF-S lenses from the APS-C cameras.

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Full (3:2): the native sensor dimension of the full frame mirrorless Canon EOS R6.

The aspect ratio of a Full Frame sensor is 3:2, and you should use this if you want to use the full surface of the sensor. It’s expressed as a figure, like this: width:height (width always comes first). But it can help you if the focus is just slightly off, like for instance you barely missed focus on the eye at f/1.4.Īnother caveat is that it only really works at focal lengths between 50 and 200mm, and at large apertures.Ĭropping/aspect ratio: this describes how square (1:1) or wide (16:9) your image is. This is not a miracle worker, as remember the light is registered twice per pixel, and there are 45 million pixels on a 36 x 24mm surface. What this means for you in a practical sense is that you’ll be able to slightly shift, or a better word is fine-tune your point of autofocus. This means that Canon’s proprietary RAW developer now has access to the normal camera output (A+B), as well as the A signal and the B signal (A+B-A=B). When Dual Pixel AF is set to on, not only this A+B signal is recorded, but also the A signal (from one of the two diodes) separately. Now the camera itself is constantly calculating what the best fine focus point is between these two, and this is called A+B.

Because these 2 photodiodes occupy actual physical space, you can imagine that the two register your point of autofocus slightly differently. A photodiode converts light into electrical current, and it the case of the Canon EOS R5, each of these 45 million pixels actually register light twice. Don’t confuse this setting the type of pixel shift technology like Pentax uses.ĭual Pixel RAW uses the unique dual photodiode per pixel design of the 45 Megapixel sensor. This setting produces images containing dual pixel information from the image sensor. I would advise Large and Fine of course.ĭual Pixel RAW: You’ll need to set the previous image quality to RAW or cRAW in order use Dual Pixel RAW. Check the table above for the relative pixel sizes for each setting. If you decide to shoot Jpeg, you can choose between Large, Medium or Small, each with a Fine or Normal setting. This is absolutely fine to use, the deterioration is negligible. You’ll see that the is also a cRAW option, this is a format that uses lossy compression to reduce file sizes by roughly 40%. RAW file average size of 80 MB an JPEG file average size of 15 MB with the EOS R5. The only downside are the larger files and the fact that of course you’ll need to develop them later on. You’ll be able to recover more colour in the highlights of your image for instance, and pull more detail out of the shadows with a Raw file than with a Jpeg. Most serious photographers shoot RAW, as this gives you the most flexible file to work with in an application like Adobe Lightroom. Raw records all the data from the sensor, Jpeg is basically a much smaller file that has all kinds of information already baked in. Image quality: you primarily need to decide whether to shoot RAW or JPEG. I will explain everything in detail here. Grab your camera, go to the menu section and just follow along. Even though the menus are similar, it’s best to use my specific guide per camera.

Ideal for making documentaries in run-and-gun style.įirstly, you might have landed here for another Canon mirrorless camera. You make 8K videos with continuous autofocus on eyes or faces. The video is stored internally on a CFexpress card. With the Canon R5 you capture 12-bit 8K video images with the full width of the full-frame sensor for a real cinema feel.

8 stops image stabilization with RF lenses.

For talented artist who want to specialize in any of these areas, the R5 is the new loyal ally. With 8K RAW videos, 45 megapixel photos, 8 stops image stabilization and a speed of 20 frames per second, the Canon EOS R5 is suitable for professional photo and videographers.

Canon digital professional save original